lone fisher
del mar, california
la jolla, california
california dreamin
del mar, california
polaroid prints, tar gel, charcoal, paint, gold and silver dust
new york, new york
"A photograph should talk. Over and over again, varying each time it is viewed. Sometimes I use a title to give a hint, but solely leave it to the viewer to analyze. I believe the interpretation also depends on age, education, experiences of life, culture area, origin or sex. I do not really care ‘how’ my work is seen, as long as the photograph does interact at all."
unknown
Polaroid 669 transfers, over Polaroid 669 prints. true experimentation.
John Grade collaborative sculpture, so honored to help
looking back…
Sorting through hundreds of prints from the past three years reminds me what a huge part of my life photography consumes. I have learned so much through it- whether about myself of my surroundings, my friends, or complete strangers. It has made me the person I am today and I am so grateful for that. So thank you photography, and darkroom, and film, for being there through it all.
“it’s always darkest before the dawn”
new york city.
Polaroid 669 transfer.
“distortion”
Illford 400 film, 35mm.
en y ceee hot dog stand.
Polaroid 669 prints and transfer.
“burned”
diptych. Illford 400 film, 35mm.
"Who we are cannot be separated from where we are from — and when we ignore that fact, planes crash."
Malcolm Gladwell in Outliers
